Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
Barbara Dmitrievna Mergassov Rimsky-Korsakova

ID: 74974

unknow artist Barbara Dmitrievna Mergassov Rimsky-Korsakova
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unknow artist Barbara Dmitrievna Mergassov Rimsky-Korsakova


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unknow artist

  Related Paintings of unknow artist :. | Portrait of Maria Anna Mozart | Horseman likeness of the Shah Dschahan, leaf out of the Shah-Dschahan-album period of the Schan Dschahan | Pilatus washes its hands to the left) and Verspottung Christs to the right) | European city landscape, street landsacpe, construction, frontstore, building and architecture. 185 | Portrait of Anna Leszczynska nee Jablonowska. |
Related Artists:
Jose Frappa
painted Lamb amongst wolves in 1882
Paolo Veronese
Italian Mannerist Painter, ca.1528-1588 Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings.
Morgan, Evelyn De
English, 1855-1919 Painter, wife of William De Morgan. She was a pupil of her uncle, the painter Roddam Spencer Stanhope. In 1873-5 she attended the Slade School of Art, London. While there, she was awarded a Slade scholarship entitling her to financial assistance for three years. The scholarship required that she draw in charcoal from the nude, but she eventually declined it because she did not wish to continue working in this technique, although she excelled in it. She was influenced by the work of the Pre-Raphaelite artists and became a follower of Burne-Jones. In 1877 she first exhibited at the Grosvenor Gallery, London, and continued to show there thereafter. From 1875 she spent several winters in Florence working and studying; some of her work is reminiscent of Botticelli, possibly because of her visits to Florence. She often depicted women in unfamiliar ways though in a manner more in tune with a female perspective.






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